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Masking failure?

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I gave up on this piece about two years ago. For reasons that I can’t remember, the initial promise over these two images soon disappeared. After recently going though the archive of older work, I came across it again and then thought of an experiment. The original intention of images can so often be mistaken these days, constant recycling and the porous online world allows for essageration to appear on a daily basis. Another thing was that I have always been told to avoid describing your work at all costs, but the current trend is to do just that, using thirty hashtags or less most of the time. What if I were to utilise these common practices with something that (in reality) failed, then see how it compared with a legitimate piece of work...?

Would a higher number of tags, likes, new followers, comments etc, with relation to this image, subvert the purpose of a work or what is actually means.

I posted this failed image about a week ago and explained the experiment. Usual posts after this amount time reach around thirty likes and result in five or six new followers. This one after a week ‘outperformed’ most of my actual work by about twenty percent across all categories…

Is this purely down to publicity? Timing?? Probably, but it makes you think about the perception of any given image, even if it’s rubbish in the first place

Predictable monumentalism

Recent indecision and the seemingly unending problems regarding Brexit has given me the impression that the EU's days are most certainly numbered. The "Monument to the European Union" is a political work that represents my prediction of the future; that the EU will no longer exist and, at some point, architects will be invited to immortalize what it stood for. I have taken my cues from seeing other proposals for Public works in their documentative form. Photographs, sketches, written explanations etc. The successful proposals exist somewhere in the real world and have become part of the urban population's everyday experience. The failures on the other hand, rejected for whatever reason, give off the feeling of what could been, the possible alternative or if 'the grass is greener'. I have found this notion to be systematic of how many feel about Brexit and especially the contemporary opinion on the subject of nationalism.

The sculpture itself is a collection of twenty five plaster casts. Each being a representation of a motorway junction in and around Bruxelles. These stand for the very literal confusion and the list of potential outcomes that we now find ourselves in. In addition, by experimenting with the scale and digitally rendering a model into a realistic image, the question of how 'monumental' or 'substantial' it is comes to the fore.