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Bums on Seats Part IV

This week is all about colour. Yes I know, colour theory has been done to death but I feel that it’s important to consider it- especially following my recent works “First Past the Post” and “Straight from the Horse’s Ass”. I would also say that because I haven’t worked on a painting for a while (in the traditional sense) it serves as a reminder to not make any schoolboy errors. Experimentation is all well and good but the wrong choices will confuse everything. Or will they?

Up to this point the work has been mainly talking about the progression of time and the obsessive nature of your own online presence. So how do these abstract concepts relate to a colour scheme?

In truth it’s all down to interpretation; would I consider a month with crap viewing figures as being a cold colour? Or alternatively, would a green or a blue indicate a calmer feeling of, “oh well last month went alright so I don’t need to worry about it...”? On the flip side, warmer colours mean something different but essentially carry the same set of  contradictions. It’s a bugger alright.

Christ, don’t trip over your laces on the starting line, it’s only colour, they’ll fade over time anyway- which does in fact lead me into the next point. I mentioned the passage of time earlier and this work (which will account for a year’s worth of analytics) represents how something as trivial as a statistic is all consuming but is then quickly overtaken by the latest data set. In the gallery below are some of the tests that I have been doing, beginning on canvas. In the later versions, even though the simple progression around the colour wheel can be digitally altered to any preference, it’s interesting how complimentary colours cancel each other out even in a computerised simulation.      

The acrylic tests include some experiments with opacity using a gloss medium as a thinner. I would say that I’m unsure about which is the best ratio but in any case it felt like I was painting with dead expensive shampoo or conditioner- not ideal! However, translucency is something I should explore further as it gives the image more depth and would make a change from the block colours of the previous works.

Next week: preparing canvas ……..YAWN…… but seeing as I’m writing about everything…

5MOD Series 3 Episode 3

This week I present Five Minutes of Doubt’s ‘Counter Indications of Trance on the Male Libido’ which is the third episode of Series three. Written by Germaine Shames, featuring the voice talents of Martin Blackburn and Alice-Rose Murray. To view the full video

https://www.5mod.net/5mod-video

Restless and harassed, Martin books in for hypnotherapy with Chloe. Both the ‘trance-maker’ and the hypnotised get more than they bargained for from the session...

This episode is a collaboration between 5MOD and US based writer Germaine Shames. The piece is wonderfully written and provided ample opportunity to create my preferred metaphysical visuals. Once I had heard a draft recording of the script, I noticed that certain phrases were sparking off images and sticking with me; as with any good writing. Due to the fact that the piece circles around hypnotherapy (and the endless possibilities therein) I thought it appropriate to reintroduce text within the picture, as in ‘Can You Do That, Episode 2.

The results, after a certain amount of CAD, are a mixture of photographs and superimposed quotes from Germaine’s script using an invented typography specific to this short film.

This, being the longest episode yet produced, takes you on a journey as much as the protagonists and I hope that the film captures that.

New writers, performers and visual artists needed for Series 4. If you’re interested in what we do then contact us directly

www.5mod.net